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Monday 9 April 2012

Ishq E Haqeeqi


"Apni anna aur nafs ko aik insan k samny pamal krnay ka naam ishq e majazi hay aur apni anna aur nafs ko sab k samny pamal krny ka naam ishq e haqeeqi hay asal main dono aik hain....ishq e haqiqi aik darakht hay aur ishq e majazi uski shaakh hay....."


"jab insan ka iishq lahasil rehta hay tu woh darya ko chor kar smandar ka pyasa ban jata hay.....choty rasty say hatt kar bday madar ka musafir ban jata hay uski talab bdal jati hay"


Ashfaq Ahmad

Pareeshani Kyon Hai?

Main ny apnay baba je say pocha k "baba jee yeh be-chainee kio hai? kio itni pereshaani hai? kio hum sakoon-e-qalb aur itminaan kay sath nahi beth sakty?"  to unho nay kaha k " dekho! Tum apni pereshaani ki pootliaa apnay saamnay na rekha kero- inhay khuda k paas lay jaya kero. woh in ko hall ker day ga. khud hal kernay ki koshish kerty ho lakin tum inhay hal nahi ker saktay.."

Ayein gay ek roz aber-e-baran


"Jab hum chotey thei humay bhrray honay ka intezaar karna mushkil lagta tha. Lakin ab jab k hum bhray ho gay to humay ehsaas hua ki tootey khiloney or zakhmi ghutny; tootay dilo or zakhmi jazbaat se behtar hain..."


Ayein gay ek roz aber-e-baran(Aneeza saeed)

Dil E Man Musafir Man


Dear Diary!


Aaj bht din ke baad tumhain haath lagaya hai...yeh such hai sahaili ke insan gharz ka banda hai....ab yehi daikh lo ke main jitnay din kisi ham-nawa ke baghari raha tum se ba-qayeda ham kalam hota rha......jaisay hee mujeh mehsoos hua ke mujh se meri hee zuban main ham kalam honay wala koi ham mizaaj mere ird gird moujood hai, main ne tumhain bhula dia.
Main sharminda hoon dear diary! main bhool gaya tha ke tum tou mustaqil sahaili ho...aisi sahaili jis ko mujh se koi gharz nahi, jis ne mujhe kabhi bura bhala na kaha, jis ne mujhe kabhi sarzanish kerni hai na naseehat.........kitna ehmaq hoon main ke tumhain bhula ker, tumhain bhula ker main ne aik aisay ko dam-saaz bana lia...jis ka itnay dino se kahin ata pata hi nahi........I am extermely sorry pyari diary! ...mujeh ilm hai ek tum ne mujhe maaf ker dia hai kyunke tumhara dil bara hai, tum sab naraziyan apnay andar samo ker mujhe phir se galay laga laiti ho...........Ham insanon main yeh greatness adam-dastiyab hai aaj kal...........ham insan naraz na honay wali baat per naraz ho jatay hain aur phir umr bhar is ki waja bayan ker ke inzhaar-e narazgi kertay rehtay hain."


Writer: Aneeza Syed.

Toota Dil


"Jab hum chotey thei humay bhrray honay ka intezaar karna mushkil lagta tha. Lakin ab jab k hum bhray ho gay to humay ehsaas hua ki tootey khiloney or zakhmi ghutny; tootay dilo or zakhmi jazbaat se behtar hain..."


Ayein gay ek roz aber-e-baran(Aneeza saeed)

Mano-Salwa


Insaan ko agar uss nay chora ho jis say woh sab say ziada mohabbat karta hai tu woh ranj mai uss ko sab say ziada takleef pohnchanay lagta ha jo uss say sab say ziada mohabbat karta hai..Yeh inteqam nahi self mechanism hota hai doobara waisi takleef say bachnay ki koshish..


Woh kachway ki tarah apnay khoal mai band honay ki koshish kar rahi thi.Apnay ird gird deewarain khari karnay ki koshish mai ...

uss nay unn saray ta'alluqat,saaray rishton,saari mohabbaton ko khud apnay haathon say kaatna shuroo kardia tha.Iss khoaf aur adam tahaffuz k ahsaas kay sath k kal koi uss k saath dobara wohi kuch karsakta hai jo Sheeraz nay kia tha..Woh sirf yeh bhool gayi thi k woh saaray uss kay KHOONI RISHTAY thay...

Sunday 8 April 2012

Lahasil by Umera Ahmed (English)

Chapter 1

In the dark the ground felt cold under her feet. Gingerly she inched forward, putting one foot forward at a time. She found the first step. Carefully she put her foot on the step. It did not give way. The darkness around her was complete; she could not see a thing. Cautiously she sought the second step. This too was firm. A burst of cool air touched her body and she lifted her head. The claustrophobia she had felt a while ago, lessened. She put her foot on the third step and peered into the darkness. ∞∞∞∞∞

He opened the lounge door and stepped in. Shakir Baba, who had heard the car come up the driveway, came hurrying out of the kitchen.

‘How are you, Shakir Baba,’ he greeted him, courteous as ever.

‘I am well, young master. And you?’

‘I am well too,’ he replied putting the keys on the center table and seating himself on the sofa.

‘Would you like some tea?’ Shakir Baba asked.

‘Yes. That would be nice. Is father home?’

‘No, he left a little while ago, taking the driver with him’.

‘That’s too bad, I came to see him. Any idea when he will return?’

‘I have no idea, but perhaps Begum Sahiba will know,’ Shakir Baba replied.

‘Is Mummy home?’

‘Yes, she is in her room. Should I tell her you are here?’

‘Please do.’

Zaleed picked up a magazine from the center table and began to skim through it. Finding nothing of interest he flung it back on the table and casually looked around the room. His eyes fell on a painting on the far wall. Intrigued he walked up to have a closer look.

A fair hand, from the elbow to the tip of the middle finger, was painted against a black background. The five fingers, long and tapering, were spread out and from each finger long thin branches extended in every direction creating the impression of a tree against the dark backdrop. The branches emanating from the hand were bare of all foliage creating a forlorn image. The hand from the wrist to the elbow too was stark and withered giving the impression of dried bark, the protruding veins reinforcing the impression of a gnarled trunk. On the wrist was clamped a beautiful watch with a black dial and a black strap. The watch had no hands to tell the time; instead tiny diamonds sparkled on its face. The lines of fate, life, head and heart etched on the palm stood out in sharp relief against the hand; on each of the lines small spots of blood, so tiny as to be mere dots, sparkled.

Glancing down, he noticed the painting had been captioned Desire. Even more intrigued, he continued to study it. Moving back a couple of steps he looked at it from this perspective. The image was undoubtedly that of a tree; it was difficult to see it as anything other than that. It was only on closer examination that one realized that a hand had been painted in the likeness of a tree.

Another glance at the bottom of the painting told him that the artist was UM ME. This gave no clue as to whether the artist was a man or a woman. But whoever it was there could be no doubt that this was a painter of an extraordinary caliber. Zaleed was an artist himself and also an art critic. There was no fault he could find with this work. The lines were just right, the brushstrokes supreme, and the colors molded to perfection.

Desire…he pondered over the title. This painting which was new to the room seemed to dominate all the others in the lounge.

‘This painting was not here before,’ he observed as Shakir Baba entered the room with tea for him.

‘Yes. Begum Sahiba got it a few days ago.’ Shakir Baba left the room just as Nuzhat entered.

‘You have come after a very long time, Zaleed,’ Nuzhat said going up to him and patting his cheek.

‘Asalam alaikum, Mummy. How are you? Yes, I have been very busy…Mummy, where did you get this painting from?’

‘It was being sold at the club. I liked it and bought it.’

‘Who is the artist?’

‘That I don’t know.’

‘Give this painting to me Mummy. I’ll pay you for it,’ Zaleed wasted no time in making his request.

‘Forget about the payment. You can have it.’

‘No Mummy. This must be a very expensive painting. I can’t just pick it up and walk away,’ said Zaleed making himself comfortable on the sofa.

‘No, the painting itself is very inexpensive; only Rs2000, but the frame is expensive. I had it framed after I bought it,’ Nuzhat explained, coming and sitting next to him.

‘Only Rs2000. That’s unbelievable. It’s criminal. For art like this to be sold so…’ Zaleed shook his head in disbelief. ‘Anyway Mummy, if you ever see a painting by this artist again, please buy it for me.’

‘For sure. I’ll remember. Now tell me how is the factory running?’ Nuzhat asked changing the subject effectively.

∞∞∞∞∞

The rain fell even harder. Irritated she shut the book with a bang. She could feel her anger rising. She looked up at the wood and  roof from where she could see the water that was beginning to seep through—as it did every year.

‘And now a dish will be placed under it and the maddening sound of water plop plopping into it all night will not let me sleep,’ she muttered to herself in exasperation.

Sitting on the wooden cot, with a book in her lap and biting her nails she presented a picture of anxiety. Through the open door now adding to the noise of the falling rain was the sound of Mama Jan dragging and pulling things out of the open courtyard onto the verandah to protect them from the downpour. When the rain had started Mama Jan had been praying; by the time she had finished the drizzle and turned into a downpour. Without even waiting to fold up her prayer mat Mama Jan had run into the courtyard to rescue the furniture from the rain. Not once did she call on Mariam to help her and Mariam too obdurately remained where she was making no effort to lend a hand.

With the book shut she continued to muse in anger. ‘All this is because Mama Jan chooses it to be so. Let her move the furniture herself; perhaps she will then realize how futile all this is. But Mama Jan…Mama Jan will never understand anything! At the rate it is raining soon the lane outside will be flooded and all the filthy water will overflow into our courtyard. And we will not even be able to step out from the verandah into the courtyard without getting our feet mired in muck.’ She gave an angry sigh trying hard to keep her anxiety under control.

‘Soon we will be marooned on an island, waiting for the rain to subside, waiting for the brick floor to reemerge from the filth—the 15-foot long brick corridor that links our verandah to the outer door beyond the courtyard—and unless all this happens there is no way we can access the world outside our door. And this…all this Mama Jan you say is my fate. That were it not so, none of this would have happened.’ Mariam continued to brood with a bitter smile playing on her lips.

Adding to the din of the rainstorm was the bleating of a goat. Ever since she could remember a goat was bought every year and at the end of the year it was offered up as a sacrifice. As a child she had loved these animals but as she grew up she began to take an unreasonable dislike to them—these goats whose color changed every year but whose bleating never varied.

Now, yet another noise, as familiar as the bleating of the goat, filled the room: the clucking of chickens. Again as far back as Mariam could remember, they had a brood in the house and while she disliked these hens her aversion to them was not as intense as her loathing of the goats. Call it the doctrine of necessity or whatever, for she enjoyed the eggs they laid and, occasionally, the meat they provided. This was her only indulgence. If there was something she could make use of, she was willing to overlook the irritation it caused.

So far the sound of the mewing of the cat, yet another animal that formed an integral part of the household, had not reached her. It was yet another sound she loathed. She could never decide whether she hated the cat or the goat more. At least the goat came in useful once a year, but the cat…what use was it?

She could remember every cat they had ever had. Each time a cat died a new one would appear after a few days, and Mama Jan…she could feel her temper rise again as she thought of the last cat they had and how tense that made her. The cat had met with an accident on the lane outside when it had been hit by a motorbike. Its spine had been injured and it could no longer walk properly. It dragged itself everywhere a little at a time. Instead of getting rid of it immediately, Mama Jan began to look after the cat as if it were a new born baby. Mariam would be nauseated each time she saw Mama Jan clean up after it. How could she do that, Mariam would wonder. Did she not feel repulsed by it? Every time the cat made a mess Mama Jan would clean it up. She would wash the cat in warm water and regularly massage its hind legs which had been injured in the accident. Mariam wished she could throw the cat away in the garbage heap! This went on for a year and then one day the cat died. Mama Jan did nothing but mourn that day, and Mariam celebrated by cooking the meal. Thank God she was finally rid of the cat.

And then, two weeks later Mama Jan took in another kitten. Mariam wanted to bang her head against the wall. But Mama Jan was as chirpy as could be. One would have thought a long-lost relative had returned.

‘Yes. Mama Jan and her pets,’ thought Mariam with a cynical smile. ‘Me, the goat, the hens, the chicken…and of these I am the least important in her eyes,’ she began to mutter in indignation.

All through the year the animals would change their spots—from the courtyard in summer to the verandah during the rains, and to this very room in winter. This little room, in this little 3-marla house with its tiny courtyard, its tiny kitchen and where there was nothing—no fridge, no TV, no heater, no gas, nothing! She wished she could flee from this tiny, suffocating house. Sometimes in anger she would tell Mama Jan, ‘Why did you bother to get electricity? We could have done without it. We could have used oil lamps, or lanterns or even candles. What need was there for electricity?’

Mama Jan would not respond. In silence she would listen to her ranting. She would often think that this silence, this serenity, were the weapons Mama Jan used to defeat her. To debilitate her.

The rain had increased in intensity. And Mariam’s anger too kept intensifying. She disliked rain any time of the year, but monsoon rain….she wished she could go and live in a desert where there would be not a drop of water. Not even drinking water. Just no water. Period.

The monsoons, the resultant dirty-water filled courtyard and the muck strewn lanes would make it impossible for her to walk to her college without spoiling her clothes. And to go to college with mud splattered clothes was a humiliation too much to bear. She had only one solution to this problem. On the days it rained she would stay home. But when it rained incessantly for days on end she would have no choice but to grit her teeth and make her way to college being as careful as she could to lift the cuff of her shalwar high above the filth, but despite her best efforts some mud would inevitably be splattered on her clothes. And then to see the smirk on the faces of the others as they looked down on her…when heavy silk and rich brocade are muddied their beauty is enhanced, but mud on coarse unrefined cotton only draws attention to the poverty of the wearer.

Mama Jan came into the room. Mariam quickly picked up her book and pretended to be absorbed in it. Mama Jan was soaked to the skin. From under her book Mariam looked at her askance. The wet clothes clinging to her revealed all her bones making her look even frailer. Without saying a word to Mariam she took off her chador and spread it on the wooden cot to dry. Then she folded the prayer mat and looked up at the ceiling with a half smile. ‘I see this corner of the roof is holding out well. Despite the fact that it has been raining for days now no water has yet seeped in,’ she commented with satisfaction.

‘Yes the concrete you spread on the roof before the rains seems to have done its job,’ said Mariam, pointedly looking at another spot from where the water was beginning to drip.

Wordlessly, Mama Jan left the room and brought back a sun-baked dish to put under the dripping ceiling.
 Every year before the rains Mama Jan would religiously have the roof repaired with a mixture of mud and gravel to stop it from breaking up altogether. For the last three years she had spread a clean plastic sheet before beginning the process and now there were three plastic sheets embedded in the roof. But to no avail. Each year the monsoons did further damage to this dilapidated building and rain water would manage to find its way in. And each year the roof threatened to collapse in the heavy rain. But unbelievably, this year it was holding out reasonably well.

As with all else, Mariam hated the time before the rains when Mama Jan would start fixing the roof because Mama Jan would sit in the centre of the courtyard kneading together the clay and gravel used to bind the roof. Her hands up to the elbow would be covered in the mixture and often she would use her feet also to knead the mixture. At such times Mariam hated it when Mama Jan cooked for her. Although she would scrub her hands clean before starting the meals Mariam could not stop herself from showing the revulsion she felt. Gradually Mama Jan had stopped cooking the days she was busy with the roof. Instead she would send for the meal from outside.

The ceiling fan whirred softly fanning her anger more than the room. This supposedly noiseless fan’s humming was yet another constant in her life. She often thought that if she were ever to move away to more congenial surroundings she would never be able to sleep without this constant white noise in her ears.

‘No comforts, no luxuries, just contentment. To hell with this contentment Mama Jan,’ she muttered in resentment.

‘How long can a human being be happy in a ramshackle room with cracked flooring and a leaking roof, with four animals, some seedlings and forlorn hopes for company?’ she thought to herself. ‘How long can a person remain happy in such circumstances? In fact, how can a human being remain in such a state? And why should one? If better circumstances present themselves why should one not take advantage of the situation? But Mama Jan…who can explain this to Mama Jan? But if she wants to live like a frog in a well, let her. She has spent her life living like this Why should I do the same? If she thinks, like her, I can stay happy in this little room with her animals and plants, she is mistaken. This house is not my destiny. I will not live here.’ Mariam’s anger showed no sign of abating.

‘I cannot spend my life here with them. I am not one of them,’ this oft repeated thought ran through her mind again. ‘How long can she keep me chained here? One day I will run away…Mama Jan cannot hold me forever.’ In her increased state of agitation, Mariam began to gnaw at her nails again.

Mama Jan came into the room again. Once again Mariam picked up her book and pretended to be engrossed in it. Mama Jan had changed into dry clothes and now set about tidying the room. Mariam had been painting in the room all day and as usual had not bothered to clear up after herself. All her things lay scattered around—the easel, the palette, the paint brushes, the tubes of paint, her books—all the paraphernalia that she used for painting. Patiently, Mama Jan picked up each thing returning it to its place. Not once did Mariam get up to help and not once did she thank her. She felt Mama Jan owed her this for incarcerating her within these walls.

‘She owes me this,’ Mariam thought to herself angrily, ‘for all the pain she has caused me. After all it is because of her stubbornness that we are here. So if she has to work so hard it is her own fault. If only she would listen to me she would be spared of having to do so much. But if she will not listen; if she insists on having her own way, then so be it. I, too, will not help.’

‘You haven’t had your tea,’ her mother’s voice broke her reverie.

‘I told you I did not want any tea and yet you got it,’ she replied without bothering to look up from her book.

‘I gave you tea because you have not eaten anything all day,’ her mother replied as she picked up the cup of cold tea from the bedside table.

‘And I will never ever eat again, at least not in this house.’

‘Why are you being so stubborn, Mariam?’ her mother asked gently coming to sit beside her on the bed.

‘I am not being stubborn. You are,’ Mariam replied angrily shutting the book with a bang.

‘Whatever I am doing I am doing for you, Mariam. For your good.’

‘Please Mama Jan! Don’t keep repeating this all the time,’ Mariam replied wearily. ‘Stop doing things for “my good”. Leave me to my fate. Let me live the way I want to. Stop being a hindrance in my life.’

‘I am not trying to hinder you in any way. All I want is to protect you from harm.’

‘If you really cared for me Mama Jan you would not let me live in this hovel. You could take me to England where we could live in some comfort. I could make a name for myself. But no! In your stubbornness, to fulfill your own wishes, you have deprived me of everything but the bare necessities. For everything I want I have had to plead. And now you say you want to protect me. Protect me from what? A few necessities? A few luxuries? What harm will come to me if I achieve fame? If people know me for who I am? Will it harm me if people recognize my work? Will it hurt me to gain some financial security?’ Mariam let all her bitterness show.

Mama Jan kept quiet through the tirade. ‘Shall I make you a fresh cup of tea?’

It was as if Mariam had not spoken. Angry at being ignored made her temper flare even further. ‘You are not doing me any good by forcing me to live your life, Mama Jan. Don’t impose your principles on me.’ She moved away from her mother in anger. ‘You do not love me. If you did…’

It was pointless to continue. Mama Jan had quietly left the room.

Saturday 7 April 2012

منزل

میں نے کہیں پڑھا تھا کہ اللہ کوئی چھوٹا سااسٹیشن نہیں بلکہ ایک بہت بڑاجنکشن ہے جس پر کئی راستوں سے پہنچاجا سکتا ہے۔ ایک راستہ عقل و دلیل کا ہے اور ایک راستہ عشق ودیوانگی کا۔ ایک راستہ جاننے کے بعد ماننے کا ہے اورایک ماننے کا ہے جس میں جاننے کی ضرورت ہی نہیں پڑتی۔

ایک ربط احساس و جذبے کا بھی ہے جسکے لئے بچوں کی سی معصومیت اور بے ساختگی کا ٹکٹ پاس ہونا ضروری ہے۔ یعنی راستہ الگ ہے لیکن منزل "اللہ" ایک ہے اب یہ ہم پر منحصرہے کہ ہم اُس تک کیسے پہنچتے ہیں۔

انسان

میری اداسی کا ایک سبب یہ بھی ہے کہ لوگوں نے سوچنا چھوڑ دیا ہے, اداس ہونا چھوڑ دیا ہے. وہ لوگ بہت خطرناک ہوتے ہیں جو نہ سوچتے ہیں اور نہ اداس ہوتے ہوں. یہاں میں یہ بات بھی کہتا چلوں کہ جو لوگ نہ سوچتے ہیں اور نہ اداس ہوتے ہیں وہ فقط اپنی صورت اور ہیت کے اعتبار سے انسان ہوتے ہیں-

(جون ایلیا)

غلط قسم از اشفاق احمد

بہت سے لوگ ہر وقت مصیبت میں گِھرے رہتے ہیں خاص طور پر ان کے معاملات لوگوں کے ساتھ بری طرح سے پھنس جاتے ہیں۔ آپ دیکھیں گے کہ آپ کے بہت سے مسائل غلط قسم کے لوگوں کے ساتھ رابطہ رکھنے کی وجہ سے ہیں پھر آپ کو ایک اور حقیقت کا سامنا کرنا ہوگا کہ آپ کے اندر ایک غلط قسم کی چیز ہے جو غلط قسم کے لوگوں کو آپ کی طرف متوجہ کرتی ہے۔ اب یہ وہ سخت مقام ہے جہاں آپ کو امانت داری کے ساتھ نشترزنی کرنی ہے اور اپنی ذات کے ساتھ رعایت کئے بغیر معاملے کی تحقیق کرنی ہے جس بد قسمتی کو اچھی طرح سے سمجھ لیا جائے پھر وہ بد قسمتی نہیں رہتی۔

Friday 6 April 2012

اصل جہیز

شادی کے دوسرے دن صائمہ خالہ کے گھر محلہ کی عورتوں کا تانتا لگ گیا تھا۔ کل صائمہ خالہ کے بڑے لڑکے کی شادی ہوئی تھی۔ 
صائمہ خالہ گھر آنے والی خواتین کی خاطر داری میں مصروف تھیں۔
اتنے میں کسی خاتون نے کہا۔ 
’’صائمہ خالہ خاطر تواضع تو شام میں بھی ہوتی رہے گی ابھی تو ہم بڑی بہو کا جہیز دیکھنے آئے ہیں۔‘‘
خالہ نے کہا ۔
’’ ٹھیک ہے۔ اﷲ کا کرم ہے کہ مجھے جہیز میں سب کچھ مل گیا ہے۔ دلہن کے کمرے میں آؤ میں تمہیں جہیز دکھاتی ہوں۔ ‘‘
پھر انھوں نے دلہن کا گھونگھٹ اٹھایا اور کہا۔ 
’’دیکھو یہ ہے میرا اصل جہیز!!‘‘

Tuesday 3 April 2012

طلوع اشک

ایسے اجاڑ سفر میں کون میرے دکھ بانٹنے کو میرے ساتھ چلے گا. یہاں تو ہوا کے سہمے ہوئے جھونکے بھی دبے پاؤں اترتے ہیں اور چپ چاپ گزر جاتے ہیں. یہاں کون میرے مجروح جذبوں پر دلاسوں کے پھاۓ رکھے، کس میں اتنا حوصلہ ہے کہ میری روداد سنے؟ کوئی نہیں. سواے میری سخت جان "تنہائی" کے. تنہائی چونکہ میری خالی ہتھیلیوں پر قسمت کی لکیروں کی طرح ثبت ہے. میرے رت جگے کی غمگسار اور میری تھکن سے چور آنکھوں میں نیند کی طرح سما گئی ہے. ہوا مجھ سے برہم، سناٹا میرے تعاقب میں، مصیبتیں مجھ سے گریزاں اور شامیں میری آنکھوں پر اندھیرا باندھنے کے لئے منتظراب کوئی چنگاری، کوئی کرن، کوئی آنسو یا پھر کوئی آس ہی مجھے دیر تک جینے کا حوصلہ دے سکتی ہے.

محسن نقوی کی کتاب "طلوع اشک " سے انتخاب

ضرورت رشتہ

ضرورت رشتہ

ﺿﺮﻭﺭﺕ ﺗﻮ ﮨﺮ ﺍﻧﺴﺎﻥ کے ﺳﺎﺗﮫ ﻟﮕﯽ ﮨﻮﺋﯽ ﮨﮯ۔ ﺧﺼﻮﺻًﺎ ﺿﺮﻭﺭﺕ ﺭﺷﺘﮧ کیﺍﮨﻤﯿﺖ ﺳﮯ ﺗﻮ ﺍﻧﮑﺎﺭﻣﻤﮑﻦ ﻧﮩﯿﮟ۔ یہی وجہ ہے کہ ﮨﺮ ﺷﺮﯾﻒ ﺁﺩﻣﯽﺿﺮﻭﺭﺕ ﻧﮧ ﺑﮭﯽ ﮨﻮﺿﺮﻭﺭﺕ ﺭﺷﺘﮧ ﮐﺎ ﻗﺎﺋﻞﺿﺮﻭﺭ ﮨﻮﺗﺎ ہے ﺑﻠﮑﮧ ﺑﮩﺖﺳﮯ ﺷﺮﻓﺎﺀ ﺗﻮ ﺍﺧﺒﺎﺭ کی
ہیڈﻻﺋﻦ ﺑﻌﺪ ﻣﯿﮟ ﭘﮍﮬﺘﮯ ہیں ﺿﺮﻭﺭﺕ ﺭﺷﺘﮧ ﮯﮐﺍ اﺷﺘﮩﺎﺭ ﭘﮩﻠﮯ ﮈﮬﻮﻧﮉﺗﮯ ﮨﯿﮟ۔ﺍﯾﮏ ﺑﺰﺭﮔﻮﺍﺭ ﮐﻮ ﮨﻢﺟﺎﻧﺘﮯ ہیں ﺟﻮ ﺭﻭﺯﺍﻧﮧﺍﺧﺒﺎﺭ ﺳﺎﻣﻨﮯ ﭘﮭﯿﻼ ﮐﺮﺑﯿﭩﮫ ﺟﺎﺗﮯ ﮨﯿﮟ۔ ﻣﻮﭨﮯﺷﯿﺸﻮﮞ ﻭﺍﻟﯽ ﻋﯿﻨﮏ ﻧﺎﮎﭘﺮ ﺟﻤﺎﺗﮯ ہیں ﺍﻭﺭ ﺑﮍﯼﺩﻟﺠﻤﻌﯽ کہ ﺳﺎﺗﮫ ﺍﻥﺍﺷﺘﮩﺎﺭﺍﺕ ﮐﺎ ﻣﻄﺎﻟﻌﮧﮐﺮﺗﮯ ﮨﯿﮟ۔ ﮨﻢ ﻧﮯ ﺍﯾﮏ ﺩﻥﮐﮩﺎ، ﺑﺰﺭﮔﻮ! ﺁﭖ یہﺍﺷﺘﮩﺎﺭﺍﺕ ﺍﺗﻨﯽ ﺭﻏﺒﺖ کے ﺳﺎﺗﮫ ﮐﯿﻮﮞ ﭘﮍﮬﺘﮯ ﮨﯿﮟ؟ ﺑﻮﻟﮯ، ﻋﺰﯾﺰﻡ! ﺁﭖ ﻧﮯﺑﮩﺖ ﺍﺣﻤﻘﺎﻧﮧ ﺳﻮﺍﻝﭘﻮﭼﮭﺎ ﮨﮯ۔ ﮨﻢ ﻧﮯ ﻋﺮﺽﮐﯿﺎ ﻭﮦ ﮐﯿﺴﮯ؟ ﮐﮩﻨﮯﻟﮕﮯ، ﺁﭖ ﺳﯿﺎﺳﺖ ﺩﺍﻥﮨﯿﮟ؟ﮨﻢ ﻧﮯ ﮐﮩﺎ ﻧﮩﯿﮟ۔ﻓﺮﻣﺎﯾﺎ، ﭘﮭﺮ ﺳﯿﺎﺳﯽﺧﺒﺮﯾﮟﮐﯿﻮﮞ ﭘﮍﮬﺘﮯﮨﯿﮟ؟ ﮨﻢ ﻻﺟﻮﺍﺏ ﮨﻮ ﮔﺌﮯ۔ﭘﮭﺮ ﺍﻧﮩﻮﮞ ﻧﮯ ﭘﻮﭼﮭﺎ، ﺁﭖﮐﮭﻼﮌﯼ ﮨﯿﮟ؟ ﮨﻢ ﻧﮯ ﻧﻔﯽﻣﯿﮟ ﺟﻮﺍﺏ ﺩﯾﺎ ﺗﻮ ﺍﻧﮩﻮﮞﻧﮯ ﺳﻮﺍﻝ ﺩﮨﺮﺍﯾﺎ کہ ﭘﮭﺮﮐﮭﯿﻠﻮﮞ کی ﺧﺒﺮﯾﮟﮐﯿﻮﮞ ﭘﮍﮬﺘﮯ ﮨﯿﮟ۔
ﺍﻥ کی ﺑﺎﺗﻮﮞ ﺳﮯ ﮨﻢ ﻧﮯﺍﻧﺪﺍﺯﮦ ﻟﮕﺎﯾﺎ کہﺍﮔﺮﭼﮧ ﻭﮦ ﮐﮭﻼﮌﯼ ﻧﮩﯿﮟ ﻟﯿﮑﻦﺍﻧﮩﯿﮟ ﮐﮭﯿﻠﻮﮞ ﺳﮯﺩﻟﭽﺴﭙﯽ ﺿﺮﻭﺭ ﮨﮯ۔ ﺩﻭﺳﺮﮮ ﻟﻔﻈﻮﮞ ﻣﯿﮟﺍﻧﮩﯿﮟ ﺭﺷﺘﮯ کی ﺿﺮﻭﺭﺕ ﻧﮩﯿﮟ ﯾﺎ ﺍﻣﯿﺪ ﻧﮩﯿﮟ ﻟﯿﮑﻦ ﺿﺮﻭﺭﺕﺭﺷﺘﮧ کے ﺍﺷﺘﮩﺎﺭ ﭘﮍﮬﻨﺎﺍﻥ کی ﺍﮐﯿﮉﻣﮏ ﺿﺮﻭﺭﺕﮨﮯ۔ ﮨﻤﯿﮟ ﺧﺪﺷﮧ یہ ہے کہ ﺍﯾﮏ ﺩﻥ ﻭﮦ ﺍﺱ ﻣﯿﮟﺳﮯﺍﮐﯿﮉﻣﮏ ﻭﺍﻟﯽ ﺑﺎﺕ ﺳﮯﮐﮩﯿﮟﺍﻧﮑﺎﺭ ہی ﻧﮧ ﮐﺮﺩﯾﮟ۔ﺿﺮﻭﺭﺕ ﺭﺷﺘﮧ ﮐ ﺍﺷﺘﮩﺎﺭ ﺻﺮﻑ ﺑﻌﺾﺑﺰﺭﮔﻮﮞ ہی ﻣﯿﮟ ﻣﻘﺒﻮﻝﻧﮩﯿﮟ ﺑﻠﮑﮧ ﺍﻥ ﺍﺷﺘﮩﺎﺭﻭﮞﮐﺎ ﺣﻠﻘﮧ ﻣﻄﺎﻟﻌﮧ ﺑﮯﺭﻭﺯﮔﺎﺭ ﻧﻮﺟﻮﺍﻧﻮﮞ ﺗﮏ ﭘﮭﯿﻼ ﮨﻮﺍ ہے ﺑﻠﮑﮧ ﺍﻥ ﺩﻧﻮﮞ ﺗﻮ ﺑﯿﺸﺘﺮ ﻧﻮﺟﻮﺍﻥﺍﺧﺒﺎﺭﻭﮞ ﻣﯿﮟ ﻧﻮﮐﺮﯾﻮﮞکے ﺍﺷﺘﮩﺎﺭﺍﺕ ﺩﯾﮑﮭﻨﮯکے ﺑﺠﺎﺋﮯ ﺭﺷﺘﻮﮞ ﮐﺍ اﺷﺘﮩﺎﺭﺍﺕ ﺩﯾﮑﮭﻨﮯ ﮐﻮﺗﺮﺟﯿﺢ ﺩﯾﺘﮯ ہیں ﺍﺱ کی ﻭﺟﮧ یہ ہے کہ ﺻﻮﺑﮯ ﻣﯿﮟﻧﻮﮐﺮﯼ ﻭﺯﯾﺮﺍﻋﻠﯽٰ ﻧﮯ ﺍﻭﺭ ﻣﺮﮐﺰ ﻣﯿﮟ ﻭﺯﯾﺮ ﺍﻋﻈﻢ ﻧﮯ ﺩﯾﻨﺎﮨﻮﺗﯽ ہے ﺟﺴﮑﮯ ﺣﺼﻮﻝکے ﻟﺌﮯ ﭘﺎﮐﺴﺘﺎﻥ ﮐﺎﺷﮩﺮﯼ ﮨﻮﻧﺎ ﮐﺎﻓﯽ ﻧﮩﯿﮟﺑﻠﮑﮧ ﺣﮑﻤﺮﺍﻧﻮﮞ ﺗﮏ ﺭﺳﺎﺋﯽ ﺿﺮﻭﺭﯼ ﮨﮯ۔ﺍﺱ کے ﺑﺠﺎﺋﮯ ﺟﻮﻭﺍﻟﺪﯾﻦ ﯾﺎ ﻣﯿﺮﺝ ﺑﯿﻮﺭﻭﻭﺍﻟﮯ ﺷﺎﺩﯼ ﮐﺍ اﺷﺘﮩﺎﺭﺍﺕ ﺍﺧﺒﺎﺭ ﻣﯿﮟﭼﮭﭙﻮﺍﺗﮯ ہیں ﺍﻥ کیﺭﺳﺎﺋﯽ ﮈﺍﮎ کے ﺍﯾﮏ ﻟﻔﺎﻓﮯ ﯾﺎ ﺭﺟﺴﭩﺮﯾﺸﻦ ﻓﯿﺲ کی ﺍﺩﺍﺋﯿﮕﯽ ﺳﮯﻣﻤﮑﻦ ﮨﻮ ﺟﺎﺗﯽ ہے ﺍﻭﺭﮨﯿﻨﮓ پھٹکری ﻟﮕﮯ ﺑﻐﯿﺮﮐﺒﮭﯽ ﮐﺒﮭﯽ ﺭﻧﮓ ﺑﮭﯽﭼﻮﮐﮭﺎ ﺁﺗﺎ ﮨﮯ

ﻋﻄﺎﺀﺍﻟﺤﻖ ﻗﺎﺳﻤﯽ

پاکستانی بیویاں

پاکستانی بیویاں

ناشتے کی میز پر اخبار کھولا تو عجیب ہولناک خبریں پڑھنے کو ملیں. مثلا بیوی سے مار کھانے والے، پاکستان میں ہر سال اڑھائی لاکھ مرد بیویوں کے طمانچے کھاتے ہیں اور پاکستانی بیویاں شوہروں پر کھولتا ہوا چا ئے کا پانی پھینک دیتی ہیں.نوکدار جوتوں سے زخمی ہونے والے شوہروں کو کئی روز بسترعلالت پر رہنا پڑتا ہے. بیویوں کے ناقابل برداشت مظالم پڑھ کر میرے رونگٹے کھڑے ہو گئے. گلا خشک ہوگیا، بدن لرزنے لگا. پھر اسی خبر کو دوبارہ پڑھنے لگا. معلوم ہوا کہ یہ ظلم کی داستانیں تو امریکہ کی ہیں ...... اور میں ذاتی تجربات کی دہشت کی وجہ سے امریکہ کی بجایے پاکستان اور پاکستانی بیویاں وغیرہ پڑھتا گیا.
از مستنصر حسین تارڑ، چک جک

ابنِ انشاء

ایران میں کون رہتا ہے؟ ایران میں ایرانی قوم رہتی ہے۔انگلستان میں کون رہتا ہے؟ انگلستان میں انگریز قوم رہتی ہے۔ فرانس میں کون رہتا ہے؟ فرانس میں فرانسیسی قوم رہتی ہے۔ یہ کون سا ملک ہے؟ یہ پاکستان ہے۔ اس میں پاکستانی قوم رہتی ہوگی؟ نہیں اس میں پاکستانی قوم نہیں رہتی۔ اس میں سندھی قوم رہتی ہے۔ اس میں پنجابی قوم رہتی ہے۔ اس میں بنگالی قوم رہتی ہے۔ اس میں یہ قوم رہتی ہے اس میں وہ قوم رہتی ہے۔ لیکن پنجابی تو ہندوستان میں بھی رہتے ہیں؟ سندھی تو ہندوستان میں بھی رہتے ہیں؟ بنگالی تو ہندوستان میں بھی رہتے ہیں؟ پھر یہ ملک الگ کیوں بنایا تھا؟ غلطی ہوگئی معاف کردیجئے، آئندہ نہیں بنائیں گے۔

(ابنِ انشاء)

ممتاز مفتی الکھ نگری

اس جلوس کو دیکھ کر میں حیران رہ گیا تھا۔ اتنا بڑا جلوس ننگی کرپانیں۔ سکھ انہیں لہرا رہے تھے۔ ہندنیاں سیاپا کر رہی تھیں۔ وہ سب چلا رہے تھے۔ نہیں بننے دیں گے پاکستان' یہ دیکھ کر مجھے حیرت 

ہوئی تھی۔ نہیں بننے دیں گے تو ایک منفی مقصد ہے' مثبت نہیں۔منفی مقصد کے لئے اتنا شور شرابا تشدد کی ننگی دھمکی۔
منفی مقصد کے لئے تو لوگ شرماتے ہیں۔ اسے چھپا کر رکھتے ہیں کہ کوئی جان نہ لے' لیکن وہ لوگ تو منفی مقصد کو جھنڈا بنا کر لہرا رہے تھے۔ دھمکی دے رہے تھے کہ پاکستان بن گیا تو خون کی ندیاں 

بہا دیں گے۔ انکا نعرہ تو اکھنڈ ہندوستان ہونا چاہئے تھا۔ انہیں پاکستان سے نفرت کیوں ہے۔
وہ پہلا دن تھا جب میرے دل میں پاکستان کے مطالبے سے ہمدردی پیداہوئی تھی اور میں نے یہ جانا تھا کہ ہندو' ہندوستان کی عظمت نہیں چاہتے بلکہ ہندو کی عظمت کے خواہاں ہیں۔
ممتاز مفتی' الکھ نگری صفحہ :58

Sunday 1 April 2012

عکس از عمیرہ احمد




پیار میں کھایا جانے والا پہلا دھوکا ایسا ہی ہوتا ہے۔ دھوکے کے علاوہ سب کچھ لگتا ہے، دل یہ نہیں مانتا کہ ہم اتنے معمولی ہو گئے کہ کسی کا دل مٹھی میں نہیں کر سکے، اور دماغ یہ بات تسلیم نہیں کرتا کہ کسی کی دُنیا ہمارے علاوہ بھی کسی دوسرے وجود سے مکمل ہو سکتی ہے۔ حقیقت بہت دیر تک حقیقت نہیں آزمائش، پریشانی، غلط فہمی، بد دُعا لگتی ہے۔ بس حقیقت بن کر نظر نہیں آتی۔


عکس
از عمیرہ احمد

عکس ازعمیرہ احمد




زندگی کا ہر امتحان انسان ذہانت اور محنت سے پاس نہیں کر سکتا، بعض امتحانوں کے لیے قسمت کے علاوہ اور کوئی چیز درکار نہیں ہوتی۔


عکس
ازعمیرہ احمد

پیا رنگ کالا


"جِن خوش نصیبوں کے ہاں ہدایت اُترنے والی ہوتی ہےنا، اُن کے ہاں پہلے نیک سُگھڑ اور دین دار بیویوں کی ڈولیاں اُترتی ہیں اور جِن بد نصیبوں کی دُنیا اور دین برباد ہونے ہوتے ہیں اُن کو خُوبصورت، بے دِید و لحاظ، دین اور شرم و حیا سے بیگانہ، بازاری قِسم کی زبان دَراز عورت نُما عفریتوں کے پیچھے لگادیا جاتا ہے۔۔۔۔

از اشفاق احمد زاویہ ٣ تھری پیس میں ملبوس بابے اور چغلی میٹنگ

حضور نبی اکرم صلی اللہ علیہ وسلم نے فرمایا ہے کہ انسان کے وجود کے اندر ایک ایسا عضو ہے ، جو اگر خراب ہو جائے تو سارے کا سارا بندہ خراب ہو جاتا ہے ، اور وہ عضو دل ہے - اس طرح سے ہم اور آپ لوگوں کے دل خراب ہو گئے ہیں ، اور ان کے اوپر راکھ جم گئی ہے - جیسے پرانی دیگچی جس میں چائے پکاتے ہیں وہ اندر اور باہر سے ہو جاتی ہے بالکل اس طرح سے ہمارے دل ہو گئے ہیں - اور ہم الله کے ذکر سے اس کو صاف کرتے ہیں ، اور اس کو مانجا لگاتے ہیں اور" اللہ ہو " کے ذکر سے اس زنگ اور کائی لگے دل کو صافکرتے ہیں - اور یہ خرابی بے شمار گناہ کرنے کی وجہ سے پیدا ہوتی ہے -
میں نے دل میں سوچا کہ میں ایک اچھا نیک سا نوجوان ہوں اور میں نے کوئی خاص گناہ نہیں کیا تو میرا دل کیسے کالا ہو گیا - محفل ذکر سے قبل وہ بابا جی کہنے لگے ، پیشتر اس کے کہ ہم محفل شروع کریں شاید بہت سارے اصحاب یہ سوچتے ہیں کہ وہ تو اچھے ہیں ، انھوں نے کوئی گناہ نہیں کیا - تو پھر کیسے ہمارا دل کالا ہو گیا - کوئی بڑا گناہ نہیں کیا کوئی چوری چاری نہیں کی ، کسی کےگھر پر قبضہ نہیں کیا -
بابا جی کہنے لگے کہ ایسا سوچنے والوں کو یہ معلوم ہونا چاہئے کہ بہت بڑے گناہوں میں سے ایک بہت بڑا گناہ غیبت ہے -